Nevertheless, his career did not falter, and he was the subject of several popular exhibitions in Europe and the United States (including at the Museum of Modern Art, New York, and the Centre Pompidou, Paris), and was appointed the Director of the French Academy in Rome from 1961 to 1977. But during this period, dream-like figures of young girls combined with erotically charged atmospheres led even early critics to admonish Balthus’s work for its seeming pedophilic themes. Even after his first solo show in 1934, his work was largely of muted landscapes, done on a large scale. He supported himself through commissions for theater sets and portraits. His works from these early years were far more subdued. ![]() Having grown up largely in Germany and Switzerland, he returned to Paris in 1924. And now let us have a look at the paintings.’” Despite the artist’s aversion to publicity, it is somewhat ironic, or perhaps provocative, that his work has become predominantly known through the controversy it has consistently attracted.', 'Balthus’s mature work is principally filled with portrayals of pubescent girls, often in a state of undress and with strong-sometimes even explicit-tones of eroticism. Reclusive by nature, he insisted that no biographical information be included in the accompanying catalogue of his solo retrospective held at the Tate Gallery, London, in 1968 he went so far as to tell critic John Russell, who wrote the introduction, “The best way to begin is to say: ‘Balthus is a painter of whom nothing is known. The French painter Balthasar Klossowski, known by the pseudonym Balthus, was born in Paris in 1908.
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